House Call (in TDOAHW)

baddies illo_House Call
One of three original illustrations for “House Call” in THE DEATH OF A HORROR WRITER. Artwork by Ade Barrett

Below is an excerpt from Chapter Eleven of THE DEATH OF A HORROR WRITER.

In late 2009, Adam Lewis and I met online. At that point we were both up-and-comers and looking for new story ideas. We started talking and eventually came up with an idea for a 3-novella collection. Each story contained in the book would have a common theme: A doctor would make a “house call” and then some really bad stuff would happen. I entitled my story “House Call” and would lead off the collection. Below is the synopsis of my story.

Mariam thought it was going to be a weekend of relaxation. She had her little sister to take care of, but knew she could that handle that without much of a problem. That all changed when Jessica got extremely sick and Mariam had no other choice but to call the family doctor to make a house call.

John and Nick decide tonight is perfect to burglarize a house. They stake out the place and are delighted to find the only people inside are two young girls. It was going to be easy to pull off.

Or so they thought.

What ensues is a battle between the girls that are home alone and the two bad men.

Little do any of them know someone else plans to make a house call of their own.

Adam called his story “The Torturing Pestilence”. We then started discussing who else to bring into the mix. At that point neither of us had many contacts in the genre so we didn’t have many options. Fortunately, around the time same, I had started writing book reviews for the now defunct Withersin Magazine and got to know the owner Misty Gersley fairly well. Misty was into publishing some twisted and strange stuff in her magazine so it only made sense to invite her to be the third writer for the collection. And away we went. Adam and I finished ours in a few months. But, that’s when things hit a roadblock. Misty had some things come up in her life (as we all do) and was struggling to finish her novella in time for our self-imposed deadline. So Adam and I waited, and waited, then waited some more. After a few months, Misty informed us she wouldn’t be able to complete her story. We thanked her for her efforts and moved on. But at that point “moving on” was the problem. I don’t recall the details now, but I believe we attempted to invite another person or two to write the third story of the collection. Nothing. Nada. Nobody. That’s when the project died. Adam and I decided we would take our stories and do with whatever we pleased. I submitted my novella to tons of publishers, but it was never picked up for publication. I know Adam tried a few times as well, but mostly wanted to retool the novella before trying to get it published somewhere.

In mid-2011, while online I met Michelle Henderson and Shannon Casto of Texas based Little Oak Film Group. I believe I messaged them first after seeing one of their independent films on DVD. Me, always looking to expand, brought up the idea of them adapting one of my stories for film. I believe I sent them two stories, one of which was House Call. They ended up liking it and wanted to make it into a feature-length film. Shannon would write the screenplay, while Michelle would direct the film. I was ecstatic. At that point I only had one other story (Cake Batter) that had been made into a short film, so I was extremely excited to see one of my tales made into a feature-length. It was decided that Little Oak would handle the production side of things, while I would handle the marketing side once the film was finished. And away we went. Shannon finished the screenplay in only a few months and sent it onto me to read and make any suggestions. Before reading it, she did warn me that two things were changed from the original story: The main character’s sister was now a brother and a graphic rape scene towards the end of the story had been removed. I told Shannon I understood and didn’t have a problem with the changes. I then read and approved the script. Filming started mid-2012 and the film (1 hour, 20 minutes) was eventually released on DVD in early 2012.

House Call_movie poster1Below is the synopsis for the film version of my story.

Mariam thought it was going to be a weekend of relaxation. She had her little brother to take care of, but knew that wouldn’t be a problem. That all changed when Vince got sick and Mariam had no other choice but to call the family doctor to make a house call.

John and Nick decide it’s a perfect night to burglarize a house. They stake out the place and are delighted to find the only people inside are two kids – an easy in-and-out job.

Or so they thought.

What ensues is a battle between the kids that are home alone and the two bad men.

Little do any of them know someone else plans to make a house call of their own.

And that’s when the curse of “House Call” started all over again. As much as I tried to promote, provide contacts of film distributors to Little Oak (who, from what I understand from one person that was interested in distributing the DVD, they didn’t use the right quality of film equipment and editing software, so it wasn’t of good enough quality to mass-produce and distribute), and inquire with folks to review the film, it ended up being all for not. While the DVD was (and still is) available on Amazon to order, Little Oak never entered the film in any contests or festivals to help get the word out. I was surprised to find this wasn’t part of their normal practice after making a movie: TO PROMOTE IT! When asked, Shannon told me it was expensive to enter films in festivals (to Little Oak’s credit, they did take and sell some copies of the DVD to Texas Frightmare Weekend in 2012) and such. Which, of course, I understood, but what the hell? Really? What’s the point of spending money (even a $2,000 production budget) on making something, then not do anything with it? In fact, Shannon actually accused me of not doing my job to promote and sell more copies. Really?

In any event, I think the film itself came out great. The actors and actresses did a fantastic job and the film itself was very much in line with my original story (which is always a plus for a writer).

I suppose sometimes you just have to realize that things are what they are and move on.

Interesting enough, out of everything I’ve written since I started out in 2008, House Call is the only story that was never published. I’m not sure why, as I think it’s a fun, creepy and brutal little tale.

So, I decided to include it in this tome.

Besides, don’t all writers have a tale that’s released postmortem?

This is mine.

Hope you enjoy!

THE DEATH OF A HORROR WRITER_cover

There are still a few of the original number of 125 signed, limited edition hardcover copies left. But, you better hurry. Click one of the below links to Pre-Order my first non-fiction book (with a little bit of fiction thrown in for good taste).

Publisher

Bad Moon Books

The Halloween Hero — Optioned for Film

Horney Little Devil Prod

I am pleased to announce that Brianna Stoddard with Horney Little Devil Productions has optioned my short story “The Halloween Hero” for film development. “The Halloween Hero” was originally published in my collection For After Midnight in 2011. It was then made available as a single-download via Kindle in October 2012.

The Halloween Hero_cover

The Halloween Hero is a 5,200 word story centering around a little boy named Billy. Billy’s parents aren’t the best to be around, so he spends most of his time staring out his bedroom window and dreaming of a better life. His favorite time to look out on the world are during the hours he’s supposed to be in bed.

It’s during one of these late night watching sessions, Billy sees “something” lurking in the shadows. After much trepidation, he decides to go outside and investigate.

Where his worst nightmare comes to life.

 
You can still download this short story to your Kindle via Amazon.

DININ’ Optioned for Film Development

Dinin_small front cover

July 10, 2013

For Further Information Contact:

David Stever

Phone: 301-787-1823

Email: CinderPathProductions@gmail.com

FOR IMMEDIATE RELEASE

Writer-Producer David Stever and Cinder Path Productions

 acquires rights to DININ’ from writer Ty Schwamberger.

Writer-Producer David Stever (COFFIN) has acquired the rights to the horror novella, DININ’, from writer Ty Schwamberger. The project will be developed through Stever’s Cinder Path Productions and is slated to film next spring. Stever will write the screenplay adaptation.

DININ’ is the story of three college girls who stop at a greasy, roadside diner while on their way to Las Vegas for a weekend of debauchery. But, after skipping out on their bill, they must try to escape the diner’s owner who has more on his mind the recouping the cost of food.

DININ’ has been dubbed a classic horror story the late, great Richard Laymon would have loved. “I’m really excited about developing this story as a feature. Ty Schwamberger wrote a very original, imaginative, and scary story that will be a real challenge for our actors and production team,” said Stever. “It has all the elements of a great horror movie and one I know will become a fan favorite.”

Praise for DININ’:

“Ty Schwamberger never fails to serve up the shocks and DININ’ is no exception. In it he pits an array of well-drawn characters against an action-packed buffet of butchery, savageness, and graphic mishap. Readers beware, DININ’ is not the safest menu choice for the timid-hearted.” ~ Shroud Magazine

“Ty Schwamberger effectively conjures a fun Richard Laymon-esque atmosphere in DININ’. The terror starts early in this one and rarely lets up.” ~ Bryan Smith, author of The Killing Kind, Depraved and Highways To Hell

Ty Schwamberger is a growing force within the horror genre. He is the author of a novel, multiple novellas, collections, and editor on several anthologies. In addition, he’s had many short stories published online and in print. Prior to DININ’, he’s had two stories, CAKE BATTER (2010) and HOUSE CALL (2013) optioned for film. He is an active member of the Horror Writers Association.

In 2011, Stever produced the indie thriller, COFFIN, starring Kevin Sorbo and Bruce Davison, for Skyrocket Productions. COFFIN is in worldwide distribution through Artist View Entertainment and MTI Video domestically.

The novella DININ’ (Hardcover, Trade Paperback, eBook) was published by Bad Moon Books in late 2012.

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House Call, First Viewing

House Call DVDsHouse Call premiered a week and a half ago at Texas Frightmare Weekend. I’ve heard the film was well received by fans in attendance at the convention. Since my wedding is next month, along with various other obligations, I was unable to attend and watch the film with everyone else for the first time. Yesterday I received some advanced copies of the DVD from Little Oak Film Group. Last night I was able to sit down and watch the film.

Some authors write entire novels while a mental film projector plays – a particular actor/actress playing each role, the setting, how the dialog sounds as it comes out of the person’s mouth, lighting, camera angles – inside their head. There is perhaps one or two things where I’ve written an entire story like that, but for the most part this just isn’t how my mind works. Although, in my novellas The Fields, DININ’ and Last Night Out, a clip did play in my head during one scene in each of those works. If you’ve read any of those, you can probably guess which ones. In the story of House Call, which this screenplay was adapted from, there really wasn’t any particular scene that worked like that while I penned it. The unpublished novella (which I talk about, among other things, during a featurette on the DVD) of House Call was actually written three or four years ago. All of the aforementioned books were written long after this story, so perhaps the technique of how I write has altered a bit since.

Why do I mention all this you ask? Well, I shall tell you.

If I would have had a projector spinning inside my skull, while writing this story, the movie version of House Call is what I would have pictured. It would take me several more paragraphs to say what an awesome job each and every one of the cast & crew did, but that’s exactly how I feel. From the lead actor/actress to the supporting roles, camera work, dialog and setting of each scene, I was very pleased how the film turned out.

And I think you will be too.

The DVD of House Call will be made available on Amazon in about a month. Until then, you can check out everything related to the film (synopsis, cast & crew, movie poster, production stills, movie trailer, etc) by clicking HERE.

Stay tuned.

House Call — Synopsis & More Photos

Below is the synopsis and some more photos from production over this weekend.

Synopsis

Mariam thought it was going to be a weekend of relaxation. She had her little brother to take care of, but knew that wouldn’t be a problem. That all changed when Vince got sick and Mariam had no other choice but to call the family doctor to make a house call.

John and Nick decide it’s a perfect night to burglarize a house. They stake out the place and are delighted to find the only people inside are two kids – an easy in-and-out job.

Or so they thought.

What ensues is a battle between the kids that are home alone and the two bad men.

Little do any of them know someone else plans to make a house call of their own.

Filming Continues

The cast & crew taking a break from filming.
Parrish Randall & Kyle ChiMaven Evans
Bill DuBois & Kristofer Smith
Kristofer Smith
Chelsea Turchek & Kristofer Smith
Alison Esparza & Roger Dunn

Filming Starts On House Call

Almost a year ago to the day, I announced that Texas based Little Oak Film Group, had optioned the rights to my still-unpublished novella. Now, a year later, filming has started on House Call. Below are a few photos of production over the weekend. Additional details, including more photos, a full cast of characters and the movie poster, will be posted shortly.

Rachel Paul, Vincent Galyean, Joe Grisaffi and Parrish Randall
Traci Galyean and Troy Reynolds
Vincent Galyean
Rachel Paul and Parrish Randall
Rachel Paul and Vincent Galyean